Coyote Blog

Though my usual musical tastes run more to this, my wife and I went to see the Celtic Women in concert the other night.

So what's wrong with a hot blond babe playing the fiddle and a singer who looks like Xena warrior princess in an evening gown?

Uh, nothing.

... attending a concert with a bad ABBA cover band singing through a really awful sound system to a full house of 70+ year-olds ripped from their usual haunts at the dinner theater and who are in full sing-along mode, swaying their arms and, god help me, holding aloft lighters.

Having never been an ABBA fan, I got talked into this after really enjoying the Mamma Mia show in London.  Never again.

I am thrilled to have Hawaii 5-0 on DVD.  I remembered it as my favorite TV crime drama ever, and so far, it is holding up very well.  A couple of other observations:

• Whether you like the show or not, I think it is nearly indisputable that Hawaii 5-0 has the best intro of any TV series ever made.  Mission: Impossible is pretty good, but I never liked the practice of having scenes from the days show in the intro.
• I am watching show 4 or so of the first season, and they have Ricardo Montalban playing a Japanese man.  Never has a Caucasian looked less like a Japanese man since Sean Connery when he was supposed to have been surgically altered to be Japanese in You Only Live Twice.  [check out Montalban's linked videography - in the last 60's and 70's he was on nearly every TV show I can remember]

A Judge has ruled that the Kaleidescape movie server (basically a big box that rips and stores DVDs on hard disk) did not violate its licensing agreement with the DVD-CCA:

Kaleidescape argued, first and foremost, that nothing in the DVD-CCA
licensing agreement prohibits the development of products that allow
users to copy their DVDs.

Indeed, that's exactly what Judge Leslie C. Nichols ruled today in
the non-jury trial at the Downtown Superior Court of Santa Clara in San
Jose, Calif. There was no breach of contract.

That seems to be good news for those of us who like the server concept and would like to make copies of our DVDs for our own (fair) use.  However, the judge seems to have sidestepped the copyright and fair use issues, such that this ruling probably will turn out to be pretty narrow and not constitute a useful precedent.

Because of this ruling, the Judge did not have to get into copyright
issues, so the Kaleidescape ruling has no copyright implications. It is
not a statement on the legality of ripping DVDs.

There was the possibility that copyright issues could have come into
play. The DVD-CCA submitted to the Court a particular document, the
"CSS General Specifications," that it asserted was part of the
licensing agreement.

The CSS General Specifications document includes wording about
thwarting the "unauthorized copying" of DVD's. The issue of what
constitutes an unauthorized copy could have come up, but Judge Nichols
ruled that the document in fact is not part of the DVD-CCA licensing
agreement.

The second 12 hours were a LOT better.

I have no tolerance for watching TV series on the network's schedule.  If a series gets good reviews, I will watch it on DVD (e.g. Serenity, Deadwood, Rome, Sopranos, Alias, Wonderfalls, etc).  In this same vain, I watched the first season of 24 straight through and really enjoyed it.  The second season was OK but weaker and less believable (even a hard-core libertarian paranoiac like myself had trouble buying the cabinet coup).  Plus I got about the same feeling when the Kim Bauer character was on-screen as I did when there was Anakin-Padme dialog in the last Star Wars movie.

So I am a third of the way through season 3 and I am having trouble really getting into it -- maybe the threat is not immediate enough at the mid-point.  Should I stick it out?  Is there anything out there left worth seeing?  Is there anything interesting in seasons 4 or 5 that bring back what made the first season great?

Back in the stone age (say, about 20 years ago) we used to have this quaint concept for media we purchased called "fair use."  I won't get into the legal definitions, but it meant in practice that if I had a book, I could read it at home, or I could take it into work and read it there.  In college, I would read novels in the back of boring lectures, and soon hit on the tactic of xeroxing 20-30 pages of my book and putting the copies in a folder to disguise what I was doing.  Fortunately, fair use let me do so without penalty.  Sometimes a friend would read an article in a magazine he thought was cool, and he would xerox a copy of the article (a sample of the magazine, so to speak) and share it with me.

Increasingly, in the digital age, none of the behaviors are allowed anymore.  For years I used to install my copy of turbo tax on both my home and office computers, and carry my tax file back and forth on a floppy to work on it.  Then, a couple of years ago, Turbo Tax installed a form of rights management that required that I buy a second copy of the same software for my own personal use for my office.  In effect, I could no longer carry my novel to work -- I had to buy a second copy if I wanted to read it at the office.  The same situation has prevailed with digital music files - increasingly recording companies are taking the position that if you want a digital file on both your iPod and your home system, you need to buy two copies.  And the sampling and sharing we used to do all the time with magazine and newspaper articles are not longer permitted for digital media.

Having firmly established the principle that multiple uses by the same individual of the same digital media should require multiple purchases, where do we go next?  Well, I think that we will look back on the release of Windows Vista as the next great milestone in killing fair use.  Microsoft may have left out nearly every product enhancement they originally promised for Vista, particularly the revamped file system, and tried to hide the fact with some pretty desktop eye candy, but they found plenty of time to add numerous DRM and copy protection schemes to the OS. 

Because, having killed fair use for multiple copies, believe it or not, the media companies are attempting to kill fair use even for the original media by the original buyer!  I know this sounds crazy, but in Windows Vista, media companies are given the opportunity to, in software, study your system, and if they feel that your system is not secure enough, they can downgrade the quality of the media you purchased or simply refuse to have it play.  In other words, you may buy an HD DVD and find that the media refuses to play on your system, not because you tried to copy it, but because it feels like your system *might* be too open.  The burden of proof is effect on the user to prove to the media companies that their system is piracy-proof before the media they paid for will play (emphasis added). 

PVP [a new Vista DRM component] eliminates these security gaps, enabling a series of DRM measures that keep
a high-resolution content stream encrypted, and in theory completely protected,
from its source media all the way to the display used to watch it. If the system
detects a high-resolution output path on a user's PC (i.e., a system capable of
moving high-res content all the way to a user's display), it will check to make
sure that every component that touches a protected content stream adheres to the
specification. If it finds a noncompliant device, it can downgrade the content
stream to deliver a lower-quality picture -- or it can even refuse to play the
content at all, depending on the rights holder's preferences.

So you see the next step.  First, they prevented fair use of copies.  Now, they are going to prevent fair use of the original.  Back to the book analogy, its as if the book will not open and let itself be read unless you can prove to the publisher that you are keeping the book in a locked room so no one else will ever read it.  And it is Microsoft who has enabled this, by providing the the tools to do so in their operating system.  Remember the fallout from Sony putting spyware, err copy protection, in their CD's -- turns out that that event was just a dress rehearsal for Windows Vista.

As Rosoff's statement implies, many of Vista's DRM technologies exist not
because Microsoft wanted them there; rather, they were developed at the behest
of movie studios, record labels and other high-powered intellectual property
owners.

"Microsoft was dealing here with a group of companies that simply don't trust
the hardware [industry]," Rosoff said. "They wanted more control and more
security than they had in the past" -- and if Microsoft failed to accommodate
them, "they were prepared to walk away from Vista" by withholding support for
next-generation DVD formats and other high-value content.

Microsoft's official position is that Vista's DRM capabilities serve users by
providing access to high-quality content that rights holders would otherwise
serve only at degraded quality levels, if they chose to serve them at all. "In
order to achieve that content flow, appropriate content-protection measures must
be in place that create incentives for content owners while providing consumers
the experiences they want and have grown to expect,"

Nope, no arrogance here.

Matt Rosoff, lead analyst at research firm Directions On Microsoft, asserts that
this process does not bode well for new content formats such as Blu-ray and
HD-DVD, neither of which are likely to survive their association with DRM
technology. "I could not be more skeptical about the viability of the DRM
included with Vista, from either a technical or a business standpoint," Rosoff
stated. "It's so consumer-unfriendly that I think it's bound to fail -- and when
it fails, it will sink whatever new formats content owners are trying to
impose."

More links on Vista DRM issues here

Update:  OpenOffice 2.1 is out.  We love OpenOffice at our company.  We stopped buying MS Office a couple of years ago and have been thrilled with the decision.  The version 1 release was weak but since version 2.0 it has been a very strong offering.  It is nice to see Sun getting its Microsoft hatred out in a more productive manner than suing them all over the place.

Hollywood seems to treat digital media like DVD as the greatest threat to their existence ever crafted.  But it appears to me that DVD may have saved 24.

From the second season onward, there has been intense pressure on the makers of 24 to convert from their popular serialized format (all 24 episodes are one story arc) to a more usual format where each episode stands on its own.  While prior shows like Alias and X-files have had running story arcs, their individual episodes stood on their own much better than do episodes of 24.  What that means is that 24 does not syndicate well at all, cutting off a very lucrative revenue stream. 

But what makes 24 difficult to syndicate makes it a very popular DVD offering.  In fact, if you look on Amazon, all five seasons are among the top 20-30 sellers in the DVD category.  Incredibly, a DVD of the first four episodes of the new season, which were televised about a week ago(!), is ranked #16.  My guess is that DVD sales do not fully make up for lost syndication revenue (I have no idea of the exact numbers) but these sales must have made it easier to continue down this innovative path.

I was thrilled to see that two of my top 5 most wanted DVD releases are finally coming out - by March 6 according to Amazon.

• Hawaii 5-0:  The greatest TV crime drama ever. 
• Captain Horatio Hornblower:  I know that the current generation doesn't think there was ever a good adventure movie that did not involved Industrial Light and Magic, but this Gregory Peck movie is an absolute classic.

I was a little worried that both had the identical release date.  I am hoping that this is not just the default date in the Amazon system when the release date is uncertain. 

I finally saw Casino Royale this weekend, and though it has been said in many other reviews, I will repeat it:  This is the best Bond ever.  More than just changing Bond actors, the movie represents a retooling of a Bond franchise gone way, way astray in the Roger Moore years.  Pierce Brosnan did a good job bringing Bond back to reality, but he was still too pretty-boy to really portray the ice-cold, very serious Bond of the books.  The double-0's are supposed to be hired as assassins (license to kill, remember) and not because they look good in a tux.  Bond in the book Casino Royale, for example, doesn't even want Vesper Lynd around because he refuses to be distracted by women on duty.  The Bond of recent movies seems to do nothing but get distracted by women on duty.

Casino Royale was always my favorite of the Bond books, and I am pleased that it was this book that brought the franchise into a new era.  Yes, Q and the gadgets are gone, and even some of the classic lines are mostly absent (though shaken not stirred draws a funny joke).  In their place is much sharper and more interesting dialog.  Judie Dench finally gets a role as M that does justice to some of her acting talents.  And  Daniel Craig is fabulous.   

This is also by far the closest any Bond movie has stuck to it's namesake book.  The book was a bit light on action, so rather than try to work it in where it does not belong, they grafted the action onto the front of the movie, which is essentially a prequel to the action in the book.  The book begins about where Bond gets approval to go after LeChiffre in a card game, and from that point forward it follows the book almost exactly, with some minor updating.  The only small amount of pain was seeing Bond playing Texas hold'em rather than Baccarat, but after seeing the movie, poker works much better than Baccarat did in the book - the element of bluffing adds to the tension.

Don't worry, the action is still there.  The opening chase scene is fabulous, all the more so because it is mostly free of gadgets and aircraft and missiles and... you get the idea.  Instead, you get Bond at his most ruthless as well as the improvisational Bond we haven't seen since Sean Connery.  First movie in a while I immediately wanted to see again.  And first action movie in forever where the plot made any sense and the writing was sharp.

For a while now, I have meant to publish a guide to Walt Disney World (WDW).  For a variety of reasons related to a recurring family reunion, I have spent at least 50 days at WDW in 10 trips over 25 years.  Over those years, I have learned a fair amount about surviving WDW.  Since we may not be going back for a while (the crowds are just too crazy, see below) I thought I would
share some of my experience.  My thoughts, review, and tips on Disney World are below the fold.

Note:  I have made updates in blue from my October, 2008 trip.

Continue reading ‘Disney World Reviews and Advice’ »

Glenn Reynolds had a post on TV series that are coming soon to DVD, and some that other bloggers would like to see.  My vote for most conspicuously missing DVD would be Hawaii 5-0  (Don't be confused by the knock-off on sale on the internet, there is no official release).  I know everyone has their opinion, but I think this was the all-around be TV crime drama ever.  Period.  Aloha.

I don't know much about the ABC 9/11 special everyone is arguing about, except to say that I am always suspicious of dramatic reenactments.  If you want a quick answer to whose fault the attacks were, I will give it to you and save you time:  The terrorists.  And if you want to to know which party's president ignored terrorism the most, I will answer that as well:  It's a tie.  Clinton ignored it for longer**, while Bush ignored it closer to the event.  To be fair, no one really expected the type of attack on September 11, so the blame game is kind of silly.

If you want to watch a great documentary that focuses on the terrorists and their victims, and not the politicians, the National Geographic special Inside 9/11, in two 2-hour parts, is being replayed tonight.  It is fabulous.

** By the way, Clinton supporters could defend their man and his attentiveness to terrorism by pointing out that most of the Patriot Act was actually proposed by Clinton in the mid-1990's.   Interestingly, but not surprisingly, I haven't heard many Democrats making this particular argument.

Thank God for YouTube.  Now, the worst music video of all time is available again online.

I loved the original Pirates of the Caribbean, and so I was excited to go see the sequel.  I won't write a long review, except to say that this movie is to the original what Star Wars Episode 3 was to the original Star Wars.  It seems to have forgotten what made the original a success, and focused instead on elaborate special effects and a confused plot.  The effects are amazing, and may be alone worth the price of one viewing, but the movie itself was only so-so. 

The plot wandered around aimlessly at times, and key elements, such as exactly how Jack got crosswise with Davy Jones in the first place, get a very very short exposition, which seem odd in a 2-1/2 hour movie.  This is the same mistake many action movie sequels make - the Indiana Jones movies come to mind in particular.  The sequels go for action action action continuously on the screen, forgetting that the original had long stretches of quiet periods that actually moved the plot and characters along.

Of all the plot elements, the sudden introduction of the ex-commodore Norrington seems the most forced.  There feels like there are one two many characters in the movie, with Sparrow, Will, the governor, the east India guys, Norrington, Davy Jones, etc. all having independent agendas.  This is fine for a taught character drama, but for a light action movie it is overly complex, and feels like Mission Impossible 2 where the writers tried to outdo the original in twists and turns and betrayals.  The introduction of Norrington does set up an interesting 3-way fight (kind of reminiscent of the awesome final scene in God, Bad, and the Ugly).  Like much of the film, the fight is kindof fun but falls short somehow.  And looking back on the movie, I can't figure out why the whole first part of the movie with the cannibals was even in there.  Basically, it did nothing to advance the plot.

The worst offense of the movie in my mind is that it underutilized Johny Depp.  Depp, whose performance really made the first movie, is OK but is not really allowed to be great.  The writers have him reprising his best bits from the first movie, rather than doing anything new.  It all feels a bit stale.

Oh, and by the way, does every single Hollywood movie have to find a way to make a large corporation the villain?  I mean, is it a writers guild requirement or something?  Even this movie set in the 18th century has to seek out the one and only large corporation in the world and use it as a villain.

I am kind of a video snob so you can take this rant with that in mind. 

I am getting tired of looking at five thousand dollar flatscreens with the picture distorted.  As most of you will know, the new generation of TV sets are wider than the old sets, with a ratio of length to width of 16:9 rather than the old 4:3.  Unfortunately, most current broadcasting and all legacy TV shows are filmed in 4:3.  To watch these programs without distortion on a new flatscreen HDTV, you will either have black bars on the sides or you will have to zoom it such that you lose the top and bottom of the picture. 

Instead of these two options, most people have their widescreen TV's set to stretch the picture horizontally to fit the wider screen.  What this results in is a picture that is distorted and stretched by 33% in width, giving you lots of fat faces.  Yuk!  Why would someone buy a $5000 (or more) TV set with state of the art high-definition picture and then set it up so most of the programming looks like it was viewed in a fun-house mirror?  Especially when you only have to press one button usually to cycle the setup between regular and widescreen programming. 

Anyway, the teli is always on here in the breakfast room of the hotel (one of the realities of modern travel is that you can't seem to escape the blaring TV in either hotels or airports) but I have no idea what the BBC announcers look like.  The way the TV is set up, it looks like they all are fat with cheek fulls of acorns.

Incredibly, there are still depths to be plumbed in bringing TV shows to the big screen, as apparently Knight Rider may soon be made into a movie.  Shows I would have expected to be made into movies before Knight Rider include:

• 6-million dollar man
• A-team
• Hawaii 5-0

And by the way, what kind of world do we live in where I can't buy old Hawaii 5-0 reruns on DVD?

Hat Tip:  Reason's Hit and Run, with a nostalgic look at past efforts to discern KITT's sexual orientation.

One of the great things about working for myself is that when I have a lot of boring tasks, like arranging my new office or filling out sales tax reports, I can watch a movie and get away with it.  Over the last few weeks I have watched three movies or shows you may have never heard of but I thought were great:

1. Firefly.  Probably the best known of the three, this canceled series is a libertarian favorite. 
2. Wonderfalls.  Only lasted 4 episodes on Fox, but 13 were in the can when it was canceled.  I bought it solely based on the unbelievable Amazon reviews.  I am on episode 5 and its is great so far.
3. Interstate 60:  A movie I completely missed when it was in theaters, it was a lot of fun.  Had some of my favorite characters I have seen in a movie in a long time.

No political point here, just an interesting story about a subject I knew nothing about.  B-movie critic Joe Bob Briggs writes in Reason (from 2003) about the strange history and financial success of the venereal disease exploitation movie (really).

Last night I watched the four hour Inside 9/11 documentary on the National Geographic channel.  I really enjoyed the show.  They took the plot step by step and at times day by day and minute by minute.  The final "zero hour" segment was tremendously emotional.  Highly recommended - I believe it will be replayed September 8.

If George Lucas needs any more money, here is my movie idea for him:  Make a movie about Han Solo and Chewbacca in their early years.  How did a Wookie prince become a smuggler?  How did he meet Han?  How did Han win the Millennium Falcon from Lando?  In my imagination, the movie would be more in the spirit of Raiders of the Lost Ark rather than the most recent star wars movie, putting the emphasis on adventure and action over special effects, Republic politics, and endless light-saber fights.  The only real challenge would be casting the young Han Solo part -- who would be willing to try to replace Harrison Ford?

Does anyone doubt that this would make a fortune, particularly if you teamed Lucas with someone to do the writing?  The series would easily lend itself to a serial format, with multiple episodes, though in that format it might make a better TV show than movie.

PS-  I got started thinking about this because I saw Star Wars III again this weekend.  As an update to my review:  it did not wear very well.  The back third from the (attempted) arrest of Palpatine forward was still engaging, but the front half actually had me squirming in my seat. The dialog still sucks, the initial mission sequence still makes no sense, and the battle with General Grievous is still just one more gratuitous light saber battle and chase scene.

OK, it seems the everyone is a movie critic this week.  If you ever doubt that most bloggers are geeks at heart, just look at all the Star Wars III coverage in blogs this week.  Anyway, not to be outdone, here is my review.  I will give a general review up front, with more thoughts that include spoilers in the extended post.

Overall, the movie was visually stunning, with lots of eye candy.  The last third of the movie was emotionally engaging, though many of the actors' performances were sub-par.  The movie was better than the last two (duh) and tied the story arc together fairly well.

However, my impressions of the movie really differed front to back, so for review purposes I divide the movie into three parts:

1. Initial action / rescue sequence  C+:  The effects are nice, but the mission itself doesn't make a lot of sense, at least from Palpatine's eyes, who clearly must have orchestrated it.  Movie-wise, it has two purposes.  First, it is supposed to be the last gasp of the Obi-Wan and Anakin ongoing buddy movie, but the dialog for this sucks.  They should have hired someone from the Lethal Weapon movies to do this right.  Second, and perhaps the most effective part, it really sets up a scene in Return of the Jedi, making more meaningful a contrast between Luke and Anakin.  Without this one sub-scene, this section of the movie would have just been an overly long action intro into the movie, kind of like the warm-up band to get everyone excited or the first 5 minutes before the credits in a James Bond movie.
2. Dialog / exposition / Anakin turns  D:  Some people seem to like this section.  I found it PAINFUL.  The Anakin/Padme romance is never, ever very realistic.  I don't know if it is the acting or the script or just lack of spark between the actors, but I thought there was more sexual tension between Luke and his sister, for god sakes, than Anakin and Padme.  I will say the fear that drives Anakin to the dark side is a fairly good one.  It was set up well in the previous movies.  However, the execution sucked.  Under the right direction, this could have been really powerful, given the dark irony at the end of the movie of what was really behind this fear.  The final conversion seems to happen way too fast - he goes from "wait this is wrong" to "You are my master" in like 30 seconds. 
3. Destruction of the Jedi / Putting everyone in place for Episode IV  B+:  There is nothing wrong with Lucas's ability to direct epic action and special effects and to use music and editing to build tension and emotion.  I thought it was well done.  The final fight scene takes place in amazing environment.  They do a good, but not perfect job, of establishing continuity with Episode IV.  Once everyone shuts up, the movie gets good.  Hayden Christianson really looks the part of dark Jedi at the end

Overall, I will give it a B but non-Star Wars fans would probably grade it lower.  My episode ranking now is V - IV - [III or VI] - II - I.  I will have to see it again and give it a bit of time to put it ahead or behind VI, but right now I have it ahead because its emotional impact walking out of it the first time was much higher than that of VI.

Continue reading ‘My Star Wars III Review’ »

The Organic Foods Trade Association has this terrific spoof on Star Wars, aimed at warning consumers about the "dark side of the farm", which for them of course are non-organic foods.  Meet Obi Wan Cannoli and Chew-broccoli. 

I am kindof neutral on the whole organic foods thing - while happy about the range of new choices available to consumers, organic proponents tend to have statist tendencies and seem all too quick to welcome government intervention to aid their cause and regulate away consumer choices they don't agree with.  I have never really been terrified by genetic manipulation of foods and I tend to group those who oppose irradiation of foods to reduce diseases as roughly equivalent to Luddites who oppose vaccinations.

UPDATE:  You can tell that many bloggers are geeks like me, by the number of Star Wars previews I have read.  There is a good one here at the Knowlege Problem, and predictably from Will Collier at Vodka Pundit.  A Small Victory is hosting the Carnival of the Force, a roundup of Star Wars posts.

REVIEW: I say the movie last night, and my review is here.

First, I must confess that I have been to opening day of every Star Wars movie, and I have tickets for opening day of this last one.  Yes, I am kindof a geek, but no, I am not a total geek:  I did not sit up all night in line or anything for these movies. 

This is actually a bit of an accomplishment, because I don't think many people saw the original Star Wars movie on the first day.  One thing that I think a lot of people don't remember, given all the Star Wars hype and success, is that the original movie opened without much hype or expectations.  I was with my family visiting LA, where we were staying in some hotel in Century City  (maybe the Century Plaza - I remember it seemed pretty nice).  Anyway, my dad was on business and my mom and sisters were shopping so I walked over that morning to see what was playing at the Century City movie theater.  It was in that way I accidently saw the first showing on the first day of the original Star Wars.  It was me and about 7 other people in that huge theater.   I was so blown away that I stayed for a second showing.

Anyway, time passes.  Empire Strikes Back was great.  I thought at the time that Return of the Jedi was pretty mediocre, but that was before I saw Clone Wars which I thought was visibly stunning but really bad.  I cringed every time there was any substantial dialogue, particularly  when Padme was on the screen.

Anyway, I take this review pretty seriously, because they seem to have had the same reactions I had to the previous movies.  The Good news:  visually even more stunning, cool fight scenes, and a better all around movie than the other prequels.  The Bad news:  the Padme dialog still sucks, maybe even worse.

I really enjoyed watching Revenge of the Sith. And yes, it is quite a good film.
However, the scenes with Padmé alone are enough to give you flashbacks of the
worst parts of the first 2 sequels, and thus lower your overall enjoyment ofthe
movie.

Still... it is a strong film with a strong story, great effects and much
improved dialog (with the exception of anything with Padmé in it). Star Wars
fans should be quite happy... and non-Star Wars fans will enjoy as well.

Overall... I give Revenge of the Sith a solid 7 out of
10 (would have been a 9 if they just totally took out Padmé or
re-wrote all her pathetic dialog).

It gets much worse treatment in other venues, but for roughly the same reasons.

UPDATE:  Here is my review

By the way, Darth Vader has a blog now.  We learn a lot from it about the daily trial and tribulations of being a dark jedi master (thanks to VodkaPundit for the link):

Due to the haste with which we are proceding through the
latter phases of this battle-station's construction we have been forced to
employ scores of civilian contractors from across the galaxy in addition to our
own Imperial Corps of Engineers. This had led to a certain clash of working
cultures.

For instance, this morning I critiqued a tragically sub-par
piece of workmanship on a tractor-beam repulsolift inversion assembly by
snapping the neck of the site supervisor and throwing his limp corpse down a
disused elevator shaft.

Imperial engineers would have snapped to crisp
attention, of course, but all these civilian contractors did was give me was
grief. "Oy, you do that again and I'll have the union on you!" barked one
red-faced buffoon.

"It is vital that you enhance the inter-departmental
syngergies of your operation," I said. And then I killed him.

I can relate.

I really didn't want to go here again, but after some thought, I am really amazed at all the disdain for the Oscars coming out of the conservative blogs(CQ,Powerline,LaShawn Barber,LGF).  As I posted here, I thought Rock did an OK job, and for once all the awardees kept their speeches focused on movies rather than their own lame political views. 

However, conservative blogs have pointed out that most conservatives probably got turned off during Rock's monologue, particularly his jabs at GWB, and tuned out.  I am confused just what Rock said that was so horrible.  First, it is expected that monologues like this take some shots at whoever is in the White House.  And Rock certainly did so, but he also took shots at prominent liberals and Hollywood luminaries as well.

Second, just what did he make fun of?  He made fun of going to war and not finding WMD.  Now, I am certainly bright enough to know that the argument for war was more nuanced (heh heh) than just WMD's, but if I was a conservative, I would LOVE it if someone made fun of GWB every day for our WMD intelligence.  If such jokes at his expense occur frequently enough, maybe he will get mad enough to do the real thorough house cleaning of the CIA which is desperately overdue.

The other thing Rock poked fun at Bush for was the growing deficit.  Hey, conservatives out there, what's wrong with that?  Again, I am smart enough to understand there are valid reasons for deficits - wars and recessions are two of them.  Also, I understand that if you want to cut spending, you usually have to cut taxes first, drive the budget into deficit, and use that as a lever for getting spending cuts.  However, Bush has done NOTHING in four years to try to reign in domestic spending, and has done several things (e.g. prescription drug benefit) that greatly increase spending.  Reagan ended up with large deficits but only after putting up a valiant fight with a Democratic-controlled Congress to cut spending.  GWB has a Republican Congress and hasn't even tried.  So what's wrong, even for conservatives, with taking a poke at GWB on deficits?

Oh yes, the blogs have one other complaint - that he said "ass".  You know, whenever I hear this kind of complaint, it just reminds me of Beavis and Butthead going "heh, heh heh, heh -- he said ass -- heh, heh"